The Pioneer DJ DJS-1000 arrived somewhat unexpectedly. It’s a unique piece of DJ equipment designed to complement a standard CDJ setup, yet it bears a striking resemblance to the Toraiz SP-16, sharing many of its core functionalities. In this review, DJ Ravine, a guest contributor, shares his expert insights on the DJS-1000 and its place in the modern DJ booth.
Hey DJ Techtools readers, DJ Ravine here! I recently had the opportunity to visit Pioneer DJ and get hands-on experience with the brand-new DJS-1000. Essentially, the DJS-1000 reimagines the Pioneer DJ Toraiz SP-16, repackaging it into a DJ-friendly format reminiscent of a CDJ player. While I’ve had a blast using the SP-16 over the past two years, its form factor often felt out of sync with my DJ setup. Let’s dive into the full review and see if the DJS-1000 resolves these issues.
Is the DJS-1000 the future club standard for performance samplers?
Product: DJS-1000
Manufacturer: Pioneer DJ
Availability: Available Now (check limited stock at DJTT store)
Price: $1,199
Top Features: Seamless Sync, pitch control, and CDJ-like design for perfect integration with Nexus setups. More intuitive and DJ-centric than the SP-16.
Areas for Improvement: Sample length limit of 32 seconds (though a 64-second update is anticipated). Limited output options.
The Verdict: A more affordable and refined iteration of the SP-16, tailored for DJs.
Exploring the Layout of the DJS-1000
Many DJs are already familiar with the SP-16, or might even own or have used one. I personally have an SP-16 at home, but honestly, it doesn’t get as much use as I’d like, mainly due to its less DJ-integrated design. The DJS-1000, simply by adopting the CDJ form factor, has instantly rekindled my interest in this type of performance sampler. Anyone acquainted with the CDJ-2000NXS2 will immediately recognize familiar elements like the start/stop button, pitch control, and menu selector placement. Let’s move past these common features and focus on the unique layout aspects of the DJS-1000.
The centerpiece of the unit is the 16 RGB pads, which are used to trigger samples loaded via the Nexus2-style touchscreen. These pads offer various modes for sample manipulation. “Slice” mode divides a sample into individual slices across the pads, while “Scale” mode allows a sample to be pitched across the pad range. Pioneer provides a helpful demonstration of each mode.
Beneath the pads is the 16-beat step sequencer, along with scene buttons for navigating different pad layouts and sequences. To the left, a touch strip provides real-time performance control over samples, enabling effects like pitch bending or filter sweeps.
Above the touch strip is a redesigned FX section. Effects are now activated using an on/off button and a depth knob, mirroring the familiar layout of a DJM-style mixer. A dedicated button provides instant access to the effects list. Furthermore, six parameter knobs located below the screen allow for easy adjustment of effect parameters. The function of these knobs adapts depending on the current screen, for example, when editing samples, they can control parameters like attack, delay, and release. Finally, Pioneer DJ has included nudge buttons below the pitch slider, conveniently positioned next to the sync button, enhancing beatmatching and synchronization capabilities.
Understanding How the DJS-1000 Works in a DJ Set
The DJS-1000 features 16 pads, and the default screen assigns each pad to an individual sample. Functionally, it’s similar to any MPC-style device – simply tap the pads to trigger sounds like drum hits, synth stabs, vocal samples, and more. For each sample, you can delve deeper into customization, adjusting parameters akin to a DAW, such as controlling the ADSR envelope, start and end points, and amplitude.
DJS-1000 sample screen displaying DAW-like controls for sample editing
Alt Text: Close-up view of the Pioneer DJS-1000 sample editing screen, showing waveform display and parameter controls for DJs to fine-tune their samples.
While you can utilize the DJS-1000 as a standalone unit, adding one-shot samples to your DJ mixes, its true potential is unlocked when integrated and synced with a comprehensive DJ setup. Sync functionality locks the tempo of the DJS-1000’s sequencer with your CDJ/XDJ players, empowering you to transform your DJ sets by layering custom audio sequences seamlessly into the mix. This integration elevates live DJ performance, allowing for spontaneous creativity and unique soundscapes.
The unit comes pre-loaded with several projects and samples to help users get acquainted with its features. To expand your sound library, samples can be easily loaded by dragging and dropping them onto a USB thumb drive. The DJS-1000 includes a top-mounted USB slot, similar to a CDJ, for convenient media access. However, it’s important to note the absence of an SD card slot.
Creating a project file does require some initial setup time. It’s akin to building an original track in a DAW, involving time to sequence drums, synths, and effects. However, once you become familiar with the workflow, it becomes a quick and rewarding process. Sequencing samples offers two methods: you can input steps directly into the step sequencer, or play parts “live” on the pads and record them (quantization is available for precision). Each individual step can be further edited, with options to adjust volume, key, and even subtly offset timing for a swing feel.
DJS-1000 vs. Toraiz SP-16: Key Differences and Improvements
Side-by-side comparison of the Pioneer DJS-1000 and the Toraiz SP-16, highlighting their form factor differencesAlt Text: Pioneer DJS-1000 positioned next to the Toraiz SP-16, showcasing the DJS-1000’s CDJ-like shape and layout for DJs.
Replaced Filter? A DJ-Friendly FX Section
Besides the obvious difference in form factor, the most significant change between the two units is the absence of the Dave Smith filter on the DJS-1000. Instead, it’s replaced by a DJM-style FX control area. In my opinion, this is a beneficial change for DJs. The DJS-1000 now features an active master effect (which can also be assigned to individual pads) rather than solely a filter as on the SP-16. While the FX section on the DJS-1000 does include a filter effect, it doesn’t quite replicate the unique character of the Dave Smith filter. However, for live DJ performance, the versatility and immediate control of the DJM-style FX section are arguably more practical and user-friendly.
Comparison of DJS-1000 effect controls (top) and SP-16 Dave Smith filter section (bottom) highlighting interface differences for DJs
Alt Text: Top panel shows the DJS-1000’s DJM-style effects section with knobs and buttons, contrasted with the SP-16’s Dave Smith filter section at the bottom.
Enhanced CDJ-Style Syncing and Workflow
Another key feature inherited from the CDJ line is the inclusion of a dedicated pitch slider and easily accessible sync/master buttons. While the SP-16 also offers these functionalities, they are buried within menus. The DJS-1000 makes pitch adjustment and sync activation significantly more intuitive, further emphasizing its focus on DJs. This direct access to essential DJ controls streamlines workflow and encourages spontaneous creative mixing.
Sync functionality is where the DJS-1000 truly excels in a DJ context. You can play, beatmatch, and mix your own projects as if they were tracks playing from a CDJ. It’s incredibly engaging to manipulate parts of your song on the fly using the sequencer while maintaining perfect synchronization with the rest of your mix. If tempo drifts slightly, the thoughtfully added nudge buttons allow for precise manual tempo adjustments, mirroring the fine-tuning experience on a CDJ.
Output Limitations: A Shift in Focus
Alt Text: Rear view of the Pioneer DJS-1000, emphasizing the single pair of TRS and RCA outputs, reflecting its design for DJ booth integration.
Unfortunately, the DJS-1000 does have some drawbacks. The SP-16 boasted an impressive four dual 1/4” TRS outputs. The DJS-1000, in contrast, is limited to a single dual 1/4” TRS output alongside a single dual RCA output. This reduction in outputs again reflects the shift in intended use, moving from a production-centric device to one optimized for the DJ booth.
The SP-16’s multiple outputs were a boon for creative routing, allowing users to send drums to one output and melodic elements to another, with outputs to spare. The DJS-1000 restricts this to essentially two stereo outputs with differing connector types. However, for DJs who incorporate external gear, the DJS-1000 retains the SP-16’s MIDI I/O ports and functionality. This is particularly advantageous for DJs with a CDJ setup but lacking a DJM mixer with MIDI I/O, providing a way to synchronize external gear using their existing mixer setup.
Core Similarities: Familiar SP-16 DNA
Beyond these key changes, the DJS-1000 largely retains the core functionality of the SP-16. Both units share almost identical backend systems and software, with minor adjustments to accommodate the layout modifications. They are compatible with the same file formats, and projects are interchangeable between the two, meaning you can perform the same set on either device. This consistency ensures a smooth transition for SP-16 users and reinforces the DJS-1000 as an evolution rather than a radical departure.
Who is the DJS-1000 Designed For? DJs and Live Performers
One of the lingering questions surrounding the original Toraiz SP-16 was its target audience. It wasn’t immediately clear “who is this gear really for?” Ultimately, it seemed to resonate most with house and techno DJs, genres that often embrace layering and textural elements. The SP-16 proved to be a valuable tool for adding extra depth and flavor to these types of DJ sets.
Initially, I perceived the SP-16 primarily as a supplementary tool to enhance an already playing track. However, the more I use the DJS-1000, the more I recognize its potential to perform original productions live, broken down into stems and remixed in real-time, especially now that it operates so much like a CDJ. This opens up exciting possibilities for DJs who are also producers, allowing them to seamlessly integrate their original music into their DJ sets in a dynamic and engaging way.
The DJS-1000 is also well-suited for beatmakers. Those familiar with Maschine, Push, or MPC-style workflows will find the DJS-1000’s approach instantly recognizable. Unlike software-dependent systems from Native Instruments and Ableton, the DJS-1000 functions entirely standalone, without requiring a computer connection. It empowers you to quickly sketch out musical ideas or even create fully realized original songs directly on the device. You could even use one or two DJS-1000 units as a standalone performance setup if you’re willing to invest the time in creating different projects and songs on the device. However, it’s crucial to remember the 32-second sample limit, which prevents simply loading and triggering full-length songs via the pads.
Final Verdict: The Pioneer DJS-1000 as a Performance Powerhouse
At first glance, I wasn’t overly enthusiastic about the DJS-1000. It seemed like just an SP-16 in a CDJ-like shell. However, actually using it revealed its true strength: Pioneer DJ has made live production gear significantly more approachable and user-friendly for DJs. They’ve implemented numerous quality-of-life improvements that streamline workflow and facilitate rapid idea execution.
However, a word of caution: While the DJS-1000 is more user-friendly, it’s not a plug-and-play solution for instantly rocking dance floors. The DJS-1000 rewards dedicated users who invest time in creating projects. Without pre-prepared projects, it’s essentially just an expensive drum pad. But, with time and effort, the DJS-1000 has the potential to elevate your DJ sets to a completely new level of creative performance.
Get your DJS-1000 from the DJTT Shop
Watch Cotts and Ravine’s In-Depth DJS-1000 Video Review!
Want to delve deeper? Check out our full video review for a more detailed exploration of the DJS-1000.
