Pioneer Theatre Company (PTC), nestled in the heart of Salt Lake City, Utah, stands as a beacon of professional theatre in the Mountain West. For over 60 seasons, this acclaimed institution has been captivating audiences with world-class productions, ranging from beloved classics to groundbreaking new works. As a leading arts organization and an affiliate of the University of Utah, Pioneer Theatre Salt Lake City not only entertains but also serves as a vital bridge between artistic expression and scholarly exploration, enriching the cultural landscape of Salt Lake City and beyond.
Among its many celebrated productions, “Beautiful: The Carole King Musical” recently graced the stage at Pioneer Theatre. This sensational show, a vibrant journey through the early life and career of music legend Carole King, exemplifies the high-caliber performances that audiences have come to expect from Pioneer Theatre Company. To truly appreciate the magic behind such productions, it’s essential to acknowledge the extraordinary talents that bring them to life, both on and off stage.
“Beautiful” is more than just a feel-good musical; it’s a testament to the enduring power of collaboration and the brilliance of its creators. Douglas McGrath penned the captivating book, weaving together the narrative of Carole King’s rise to stardom. McGrath, a multifaceted artist known for his work as a filmmaker and playwright, brought his signature storytelling prowess to the stage. His credits include the HBO documentary “Becoming Mike Nichols” and his Oscar-winning adaptation of Jane Austen’s “Emma.” Sadly, the world mourned the loss of Douglas McGrath in November 2022, leaving behind a legacy of impactful contributions to the arts.
The heart of “Beautiful,” of course, lies in the timeless music of Carole King and Gerry Goffin, alongside Barry Mann and Cynthia Weil. Gerry Goffin, a Brooklyn native, forged a legendary songwriting partnership with Carole King, beginning at Queens College. Their marriage in 1959 marked the start of a musical phenomenon, yielding their first hit, “Will You Love Me Tomorrow?” for The Shirelles. Goffin and King’s prolific partnership produced over 50 Top-40 hits, including iconic songs like “The Locomotion,” “Natural Woman,” and “Up on the Roof,” solidifying their place in music history. Both were deservedly inducted into the Songwriters Hall of Fame in 1987 and the Rock and Roll Hall of Fame in 1990, cementing Goffin’s indelible mark on American music.
Carole King’s impact on pop music is immeasurable. At just 17, she co-wrote her first #1 hit with Gerry Goffin, “Will You Love Me Tomorrow.” While their collaborative hits were legendary, King’s 1971 album Tapestry catapulted her to unparalleled heights. Tapestry resonated deeply with her generation, providing a soulful soundtrack to the decade. King’s remarkable catalog includes over 400 compositions recorded by over 1,000 artists, resulting in an astounding 100 hit singles and six Grammy Awards.
Barry Mann’s melodies are instantly recognizable and have shaped the landscape of pop music. Beyond the songs featured in “Beautiful,” he co-wrote the most-played song of the last century, “You’ve Lost That Lovin’ Feeling.” His later classics include “Somewhere Out There,” which earned him two Grammys, “Here You Come Again,” “Sometimes When We Touch,” “Just Once,” and “Don’t Know Much.” Together with Cynthia Weil, Mann has received 112 BMI awards for significant radio airplay, and both are honored inductees in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.
Cynthia Weil, the lyricist counterpart to Barry Mann, was the acclaimed wordsmith behind classics like “You’ve Lost That Lovin’ Feeling.” Her lyrical genius extended to other standards such as “Somewhere Out There,” “Here You Come Again,” “He’s So Shy,” “Just Once,” and “Don’t Know Much.” Weil’s contributions were celebrated with inductions into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame, as well as multiple Grammy nominations and two Grammy Awards for “Somewhere Out There.” The music world mourned the passing of Cynthia Weil in June 2023, recognizing her profound influence on songwriting.
The rights to these incredible musical catalogs are managed by Sony/ATV Music Publishing, a global leader in music publishing. Established in 1995, Sony/ATV boasts an extensive collection of over two million copyrights, encompassing iconic catalogs like EMI Music Publishing, Motown, and Famous Music. Their repertoire includes some of the most beloved songs ever written, from “New York, New York” to “All You Need Is Love,” and they represent legendary artists spanning from The Beatles to Taylor Swift, highlighting their immense reach and influence in the music industry.
Bringing “Beautiful” to life on the Pioneer Theatre Salt Lake City stage required a team of exceptional theatrical professionals, led by the theater’s Artistic Director, Karen Azenberg. This production marked Azenberg’s 13th season at PTC, adding to her impressive list of directorial successes at the theatre, including recent hits like “Natasha, Pierre & The Great Comet of 1812” and “The Lehman Trilogy.” Her vision and leadership are instrumental to Pioneer Theatre’s continued artistic achievements. A New York native, Azenberg’s diverse experience ranges from Off-Broadway productions to collaborations with renowned composers like Jonathan Larson. Her extensive regional credits and past presidency of the Stage Directors and Choreographers Society (SDC) underscore her significant contributions to the field.
The musical heart of “Beautiful” at Pioneer Theatre was in the capable hands of Musical Director and Conductor Helen Gregory. A PTC veteran with 15 productions under her belt, Gregory’s expertise ensured the musical’s vibrancy and emotional depth. Her extensive credits span prestigious venues like NY Theatre Workshop and Asolo Repertory Theatre, earning her accolades such as a Sarasota Magazine Theatre Award for Best Musical Direction. Gregory’s national tour experience and diverse theatrical background enriched the production at Pioneer Theatre.
Choreographer Gerry McIntyre brought dynamic movement and energy to “Beautiful.” Fresh off directing and choreographing “Young Frankenstein” for Berkshire Theatre Group and Geva Theatre, McIntyre’s innovative choreography has garnered widespread acclaim. His Off-Broadway and regional credits are extensive, showcasing his versatility across productions like “Hallelujah Baby” and “Jersey Boys.” McIntyre’s previous work at Pioneer Theatre Company, including “Once On This Island” and “Bonnie & Clyde,” made him a perfect fit for the energetic demands of “Beautiful.”
Scenic Designer Jason Simms created the visual world of “Beautiful,” returning to PTC after designing previous acclaimed productions like “Agatha Christie’s Murder on the Orient Express” and “The Glass Menagerie.” Simms’ portfolio spans numerous regional theaters, including Berkshire Theatre Group and Denver Center for the Performing Arts, as well as NYC venues like The Public Theater. His academic role as an assistant professor of Scenic Design at The University of Iowa further highlights his expertise in the field.
Costume Designer Kara Harmon crafted the distinctive look of “Beautiful.” Her Off-Broadway credits include productions at Perelman PAC and the Public Theater, while her regional work spans renowned theaters like Arena Stage and Goodman Theater. Harmon’s accolades include a CT Critics Circle Outstanding Costume Design Award and a Helen Hayes Award, demonstrating her exceptional talent in costume design for productions ranging from musicals like “42nd Street” to plays like “The Purists.”
Lighting Designer Dawn Chiang illuminated the stage of Pioneer Theatre, bringing depth and atmosphere to “Beautiful.” A Broadway veteran with credits like “Zoot Suit,” Chiang’s extensive Off-Broadway and regional work includes collaborations with Manhattan Theatre Club and Oregon Shakespeare Festival. Her numerous awards, including the USITT Distinguished Achievement Award in Lighting Design, and her mentorship roles within the industry, underscore her significant impact on lighting design.
Sound Design for “Beautiful” was expertly managed by Aaron Hubbard, a long-time contributor to Pioneer Theatre Company. In his 17th season with PTC, Hubbard’s sound design and mixing skills have enhanced numerous memorable productions, including “Sting’s The Last Ship” and “Sweeney Todd.” His role as a sound production and recording instructor at Weber State University complements his practical experience in theatrical sound design.
Hair & Makeup Designer Kate Casalino brought her New York-based artistry to Pioneer Theatre for “Beautiful.” With Broadway credits including “Back to the Future” and work with Utah Opera, Casalino’s expertise in hair and makeup design elevated the visual presentation of the characters. Her return to PTC, where she previously earned her BFA, added a personal touch to her contribution.
Casting Director Geoff Josselson, CSA, assembled the talented cast for “Beautiful.” A Broadway veteran with credits like “Into the Woods” and “Sweeney Todd,” Josselson’s expertise in casting is evident in his extensive work with Off-Broadway and regional theatre companies, including Arena Stage and Oregon Shakespeare Festival. His Artios Award for “Into the Woods” highlights his exceptional talent in casting for musical productions.
Production Stage Manager James O. Hansen ensured the smooth execution of “Beautiful” at Pioneer Theatre. In his second season at PTC, Hansen’s prior credits include productions at Tuacahn Amphitheatre and The Gateway Playhouse, showcasing his experience in managing large-scale theatrical productions.
Stage Manager Emily Roth played a crucial role in the daily operations of “Beautiful.” Joining Pioneer Theatre Company for the season, Roth’s recent credits include national tours and productions with White Plains Performing Arts Center and White Heron Theatre Company. Her co-authorship of “Stage Management Basics” further demonstrates her expertise and contribution to the field.
Assistant Stage Manager Chloe Grotheer contributed her stage management skills to “Beautiful.” A graduate of Webster University’s Sargent Conservatory for Performing Arts, Grotheer’s experience includes work with Tuacahn Center for Performing Arts and various productions in the St. Louis area, adding to the efficiency and professionalism of the production team.
Pioneer Theatre Company’s commitment to theatrical excellence is further underscored by its affiliations with esteemed organizations like Geva Theatre and Actors’ Equity Association. Geva Theatre, founded in 1972 and based in Rochester, NY, shares PTC’s dedication to professional theatre and community engagement. Actors’ Equity Association (AEA), founded in 1933, represents over 51,000 professional actors and stage managers nationwide, advocating for fair wages and working conditions, highlighting the professional standards upheld by Pioneer Theatre Company and its collaborators.
In conclusion, Pioneer Theatre Salt Lake City is more than just a venue; it is a vibrant cultural hub that enriches the Salt Lake City community and the wider region. Productions like “Beautiful: The Carole King Musical” exemplify the theater’s commitment to bringing exceptional, engaging, and thought-provoking performances to its audiences. With a rich history, a dedication to artistic excellence, and a connection to the University of Utah, Pioneer Theatre Company continues to be a leading force in the American regional theatre landscape. For anyone seeking a high-quality theatrical experience in Salt Lake City, Pioneer Theatre is undoubtedly the premier destination. Explore their season and discover the magic for yourself at PioneerTheatre.org.
